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It is a painting of a female figure being embraced. The contours and edges of the body are emphasised and the colour palette is vivid and striking. The central figure is bent over in a vulnerable and ambiguous posture. Her face is turned away from our view. It is unclear whether the arm of the barely visible second figure is constraining or comforting. The painting was inspired by Zanele Muhol’s tryptic Being (2017).
Born in Latvia and based in London, Ieva's paintings explore the representation of the female body and its relationship with the psyche. Through experimentation with paint and colour, Ieva's work seeks to push the boundaries of how fear, pain, desire, dreams and aspirations are socially and culturally inscribed in the female body.
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